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A Recording Studio for Your PC

There has never been a better time to buy digital audio workstation (DAW) software. Twenty years ago, to record a music album at a professional level, you needed a sizable mixing console, several eight-track digital records (such as ADATs or DA-88s), and a good selection of outboard compressors, reverb units, and other effects, plus a two-track deck to mix down to. In other words, you were looking at about $10K to $15K worth of gear to start—and that's before you got to microphones, speakers, and other accessories.

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If you were on a budget, you'd probably stick with a tried-and-true Tascam or Yamaha four-track tape recorder and Alesis compressor, get used to bouncing tracks in mono, make peace with tape hiss, and remember to clean the tape heads every week. And you'd be sharply limited in the kinds of projects you could produce. The only easy multitrack recording you could do at the time was with MIDI, with hardware synthesizers or samplers, and maybe with a Mac or an Atari ST computer attached as a sequencer.

It's an entirely different world now. Software packages that cost a few hundred dollars now deliver hundreds of audio tracks and incredibly flexible editing. Some programs are even free. You can create as many instances of effects plug-ins as you want, including spot-on emulations of compressors that cost several thousand dollars each, and attach them to as many mixer channels as you want. It's all nearly unlimited and 'in the box' now.

Choosing the Right DAW

From the standpoint of someone recording 20 or 30 years ago, a DAW today is like a giant candy store; it's as if you can do almost anything. For the newcomer, though, it may seem almost hopelessly complex. Choosing the right audio software can be quite difficult. Most of the famous packages like Pro Tools and Logic have been around for decades. They've grown incredibly powerful, and as a result have user interfaces that are as complex as…well, professional mix consoles.

So how to decide? To help with this task, we went out and tested the most popular DAWs. Numerous venerable (and excellent) recording magazines have reviewed these applications many times over the years. That's great for the existing user base of each DAW, but maybe not always quite as clear for newcomers. In each of our reviews, we did our best to approach each product as a whole, rather than devoting the majority of the space to just the latest features that were added in the most recent point update.

Before we get to the specifics, the simplest program for audio editing is a two-track editor; probably the most famous example here is the free Audacity. While Audacity aspires to some extremely basic multitrack recording with overdubs, its real use is as a solid stereo editor. If you're recording a podcast or editing a clip of your kid's piano recital that you recorded on your phone, Audacity is an excellent choice; you can probably start and stop there. If you need something more sophisticated, read on.

It helps to think about the kinds of projects you want to create. Are you planning on producing beats for hip-hop or fully electronic compositions? Do you want to record multiple musicians playing live instruments at once? Will you be using your setup to score for picture, or creating sound effects and dialogue for TV and video games? Do you need to produce fully polished, printed scores, or otherwise prefer to work with musical notes and staves? Do you plan on tuning the pitch of vocal performances? Working out the answers to these kinds of questions up front will help you narrow down your choices.

What Comes With Each DAW?

The good news is all of the packages can we tested can more or less do all of the above tasks, with a few notable exceptions. The trick is that each program has strengths in different areas, and some tasks may be a bit more complicated in one than they are in another. One overarching rule to decide faster is to look at what your colleagues or friends are using, and then choose the same package. That makes it easier to share tips or even projects between each other, rather than being the lone person using a particular product and then introducing session import issues.

Another is to look at what's bundled with each program. Would you prefer a DAW that comes with a ton of virtual instrument sounds, such as synthesizers, sampled violins, guitars, and electric basses? You may want to look at something like Logic Pro X, Cubase Pro, or Studio One, all of which include many gigabytes of sounds and loops. Do you have or plan to buy your own instrument plug-ins you want to use? Reaper is a fully stripped down DAW at an excellent price, and it makes an excellent host for third-party VSTs. It's also great if you're recording a band full of live instruments and don't need much in the way of virtual ones. Do your tastes lean toward the electronic and synthesized realm? FL Studio, Reason, and Ableton Live are inspired choices with plenty of built-in synths, though you can produce electronic music with just about any of these programs.

Often, it comes down to the details and the editing philosophies. Do you prefer pattern-based recording for electronic music? FL Studio is going to have plenty to offer. Would you rather have a 'do-it-all' DAW with a large built-in sound library at a low price? PreSonus Studio One beckons. Do you want to not just be able to bring projects into major studios, but collaborate online and also open sessions directly as you work on them with others? It's impossible to top Avid's Pro Tools for this. Is the music already done, and you work in post-production and want to produce more professional podcasts or videos? Adobe Audition is a prime contender for these tasks. And if you've got a Mac, it's worth giving the free GarageBand a spin, if only because it's more powerful than it ever was and you already own it.

How Much Do You Want to Spend?

Closely correlated to the bundled instruments and effects is price, and that's a factor that can cloud the issue a bit. Many of the top-tier packages also have less expensive (or even free), feature-limited editions available. It's not as simple as saying 'Reaper is a budget DAW at $60 and Studio One 3 is a professional-level DAW at $399,' because you can also buy the stripped-down (but still pretty feature-rich) Studio One Artist for $99. What do you lose? What do you gain? We try and touch on this as much as possible within each review.

Which DAW Is Right for You?

In short, read our reviews (linked below) and try some demos where you can. But otherwise, don't sweat it too much. We spent countless hours testing these products and putting together both the reviews and this guide. Despite the complexity of the software here, we've found it's honestly tough to go wrong. It's not like computers or cameras, where you can clearly see that of the latest crop of products, a few perform well and a few don't perform as well as the leaders. These are all mature, well-established products, each with thousands of fans.

As a result, more than half of the packages in this roundup score at least four out of five stars. You can get professional-level results with all of them. Each has some specific workflows that work really, really well for some people—hence the endless 'X is the best and Y is garbage' arguments on the internet—but they all can work for just about anyone.

Even so, we single out two DAWs, one on the Mac and one on the PC, for Editors' Choice awards: Apple Logic Pro X, for its absolutely unbeatable value with its built-in instruments and effects plug-ins, and Avid Pro Tools, for its seamless audio editing and suitability up and down the pro studio chain. But we'd happily use any of the programs listed below for new projects. Choose one, learn its secrets, and get to work creating and editing amazing music and audio projects.

Best Audio Editing Software Featured in This Roundup:

• Avid Pro Tools Review

  
  MSRP: $599.00
  

  Pros: Still the cleanest audio editing workflow on the planet. Fast 64-bit recording and mixing engine. New cloud-based project collaboration tools. Robust, useful track freeze and commit options. High-end hardware and support policies are tops in the industry.

  Cons: Lacks built-in pitch correction. No VST plug-in support or instrument track presets. USB dongle-based copy protection. Monthly fee required for new software patches past 12 months.

  Bottom Line: Avid stays the course with Pro Tools and maintains its status as the standard cross-platform solution for professional audio editing work for music, film, games, and broadcast.

  Read Review

• Image-Line FL Studio Review

  
  MSRP: $299.00
  

  Pros: Vector-based interface is attractively animated, and supports 4K, multi-monitor, and multitouch configurations. Brilliant loop and pattern-based MIDI composition tools. Visible automation clips are easy to manipulate. Light memory footprint. Free lifetime updates.

  Cons: Convoluted, inflexible audio recording (in higher-priced versions). Must manually assign instrument tracks to mixer channels. Built-in sound library could use some updating. Lacks notation editor.

  Bottom Line: If you want to produce some of today's slickest beats, right up to full electronic dance music tracks, FL Studio could be the ideal key to unlock your creativity.

  Read Review

• Adobe Audition CC Review

  
  MSRP: $20.99
  

  Pros: Strong audio-restoration, sound-removal, and noise-reduction tools. Excellent stereo waveform editor. Useful visualization tools. Adheres to film and television broadcast standards for audio.

  Cons: Lacks MIDI support. Only available via an expensive monthly subscription.

  Bottom Line: Audition is a comprehensive audio editor for video post-production, podcasts, and audio restoration. It's expensive for what you get, though, and makes the most sense as a supplement to a video editor or as part of an existing CC subscription.

  Read Review

• Steinberg Cubase Pro Review

  
  MSRP: $559.99
  

  Pros: Comprehensive editing and automation support. Robust plug-in bundle. Powerful mixer. Rock-solid stability.

  Cons: Expensive. Dongle-based hardware copy protection.

  Bottom Line: Steinberg Cubase Pro is a top-notch digital audio workstation particularly suited to MIDI and virtual instrument composers.

  Read Review

• Ableton Live Review

  
  MSRP: $749.00
  

  Pros: Inspirational clip-based live and composition workflow. Fast navigation. Powerful automation. Suite version contains plenty of sample material to work with.

  Cons: No track comping. No notation view. No pitch correction tool. Mixer view could be more robust.

  Bottom Line: In its latest iteration, Ableton Live is a powerful all-in-the-box solution for composing music, particularly electronic-influenced, but it's not for everyone.

  Read Review

• PreSonus Studio One Review

  
  MSRP: $399.00
  

  Pros: Fast workflow for music composition and audio recording. Robust included sound sets. Attractive drag-and-drop interface. Powerful free version. Multitouch-enabled on the Windows side.

  Cons: No notation editor. No easy way to import session data or save I/O templates. MIDI editing is still weaker than the competition. Cluttered mixing console.

  Bottom Line: PreSonus reinvented the common digital audio workstation in 2008 with Studio One; the latest version is the most inspired yet.

  Read Review

• Propellerhead Reason Review

  
  MSRP: $399.00
  

  Pros: Versatile array of bundled instruments. Awesome sound set serves as instant inspiration for new electronic tracks. Fast composition workflow. SSL-style mix compression and EQ.

  Cons: Aging rackmount-and-patch-cable UI idiom. No surround or scoring features. Track editing still lags the competition.

  Bottom Line: Despite its flaws, it's tough to knock Reason as an all-in-one recording, mixing, and mastering tool, particularly if you're into electronic or hip-hop music and want a tremendous array of sounds and beats right out of the gate. It's still as much fun to use as it has always been.

  Read Review

• Cockos Reaper Review

  
  MSRP: $60.00
  

  Pros: Multi-channel audio recording, mixing, and mastering at a bargain price. Heavily customizable. Fast. Extremely light memory footprint.

  Cons: No built-in instruments or loops. Uninviting, unintuitive interface.

  Bottom Line: Reaper offers nearly all of the features and flexibility, if not the ease of use or visual appeal, of powerhouse digital audio workstations like Pro Tools at a fraction of the cost.

  Read Review

• Apple Logic Pro X (for Mac) Review

  
  MSRP: $199.99
  

  Pros: Excellent value. Stunning array of bundled instruments and effects. Terrific interface. No copy protection, unlike many competitors.

  Cons: A few older plug-ins still need a UI makeover.

  Bottom Line: Apple Logic Pro X 10.4 is a tremendous update to an already-excellent digital audio workstation, and if you own Logic Pro X, it's free.

  Read Review

• Audacity Review

  
  MSRP: $0.00
  

  Pros: Free. Lots of editing options ideal for dialogue, sound effects, and trimming music tracks. Supports multitrack audio and batch processing.

  Cons: Destructive editing only. Multitrack audio support is exceedingly basic.

  Bottom Line: If you're looking to get started in podcasting or recording music, it's tough to go wrong with Audacity. A powerful, free, open-source audio editor that's been available for years, Audacity is still the go-to choice for quick-and-dirty audio work.

  Note: Please ensure you are using the correct product key for the Autodesk product and version you are installing. Autocad 2018 serial number keygen for mac. Product keys are required for installation of Autodesk products and are used to differentiate products that are both sold independently and as part of a product suite. For example, installing AutoCAD 2018 as a point product requires product key 001J1, but installing AutoCAD 2018 from the AutoCAD Design Suite Premium 2018 requires product key 768J1. The same version of AutoCAD is in both software packages but the product key differentiates one package from the other.

  Read Review

There are quite a few different audio editing programs that will work to edit podcasts, but we’re just going to focus on the best podcast recording and editing programs.

That just means they’re either easier to use or focus more on spoken audio editing versus music production.

Most software for podcast editing works on both macOS and Windows, but there are a couple that are Apple only because they created the software.

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Both free and paid options to get your recording and editing done right. Grab the free guide! How to set up categories in infinite campus.

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Contents

• Podcast Recording Software For macOS
• Podcast Recording Software For Windows & macOS
• Helpful Podcast Software

Podcast Recording Software For macOS

GarageBand

GarageBand is a free DAW (digital audio workstation) if you have a Mac. This is a great choice for first-time and even experienced podcasters.

You can easily create separate tracks for music, intros and outros, ad spots, and more. Then you can fade them in and out as needed, move them around, adjust levels, you name it.

For each track, you can enable various plug-ins like compression, noise gates, EQ, and more. For many people, this will do more than enough.

Logic Pro

Logic Pro is a full-featured music production and audio editing program.

The main reason I recommend it for podcasters is because the interface matches GarageBand and it’s very easy to upgrade. Even your GarageBand files will open seamlessly in Logic.

You also will have to enable Advanced Tools (it’s just a simple checkbox in the settings) to get the full suite of features. This lets you upgrade without getting overwhelmed.

The ability to link to the Logic Remote App for iPhone or iPad is really cool as well.

The cost for Logic Pro is a one-time purchase of $200.

Podcast Recording Software For Windows & macOS

Adobe Audition

Adobe Audition started out as Cool Edit Pro but was acquired by Adobe back in 2003. It is part of the Creative Cloud suite, so if you already have a subscription to the full suite, you have access. You can also get it for $20/month separately.

It is designed for podcast production and editing and has advanced tools just for that. There are a number of noise-reduction capabilities, advanced compression and EQ, and a ton more.

One feature I love is batch processing, where you can apply various effects to one file, save it, then apply those same effects to a “batch” of other files. This saves a ton of time.

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I highly recommend Audition for podcasting – and there are a ton of easy-to-follow tutorials online to help you get started.

You can get a 1-year subscription from Amazon here (this is also the only way to purchase it as a gift) or click the button below to sign up directly through Adobe:

P.S. You can also get the full Creative Cloud Suite on Amazon here.

Audacity

Audacity is a free cross-platform audio editor. It’s commonly used for podcasting and has powerful features. One of the downsides is that it can be confusing to use when first getting started, but once you get the hang of it, it’s great.

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Some of the useful Audacity features include Sync-Lock, Truncate Silence, Silence Finder, and Silence. But there are a ton more including saveable EQ, fading, import and export options, and editing and saving chains of effects.

It is regularly updated and should work all the latest versions of macOS and Windows.

Hindenburg Journalist

Hindenburg has several different audio editing programs, with Journalist being their entry-level offering for $95.

It is designed for radio broadcasters and podcasters with a higher production value. If you have a bunch of different clips or interviews that you need to piece together, this might be a great choice.

There is automated levels, loudness, EQ, and a unique clipboard feature for staying organized. It also integrates with certain podcast hosting providers.

Take a look at this 2-minute intro video:

There is also Hindenburg Pro that has a built in Skype call recorder, among other upgrades.

Other Audio Editing Software

While the recording and editing software options above are where I would start, there are many more options that will work.

Certain Mackie and Behringer mixers come with tracktion, PreSonus audio interfaces come with StudioOne 3 Artist, Steinberg interfaces come with Cubase AI & LE, and I’m sure there are other similar combos.

If you have one of these, they will work just fine for podcast production, although there might be a higher learning curve.

Helpful Podcast Software

There are few other pieces of software that you may want or need to go with your new podcast recording software. Here are a few of my favorites:

Buzzsprout

After you record and edit your podcast episode, you need a place to put it so you can make it an official podcast.

My favorite podcast host is Buzzsprout because they have a really easy to use platform, plus some additional sharing features that look great and save a ton of time.

When you follow this link, Buzzsprout will give you a $20 Amazon gift card after you pay for your plan. Check it out!

Ecamm Call Recorder For Skype

If you want to record skype calls, there are a few different add-ons you can get depending on your operating system:

Ecamm Call Recorder is the best option for Mac.

Pamela is a popular choice for Windows.

Alitu

Alitu is perfect for those that want to make your podcasting process as easy as possible.

It will automatically improve your audio files, lets you add intros and outros, and you can automatically publish to Buzzsprout, Podbean, Blubrry, Libsyn, and more!

It works great whether you want to edit or not – check out this quick walkthrough:

Auphonic

Auphonic is a magic piece of software that does a ton. It will level your audio, make it the correct volume for podcasting, add ID3 tags, export to YouTube, and a ton more. I love that you can create presets, making it super fast to use after you get it set up.

Music Radio Creative

Music Radio Creative is an amazing website that creates intros, outros, jingles, and more. You can easily preview different voices and you will get extremely high-quality voice-overs to make your podcast sound much more professional.

Start at the Podcast section here.

Screen Capture Software For Mac

Scribie

Another important piece of your podcasting workflow is to get transcriptions. This can help with SEO, but also gives people a way to enjoy your show in places where they can’t listen.

I highly recommend Scribie – they’re fast, have multiple versions of English (US, UK, etc.), and everything is easily accomplished from their web-based dashboard. They’re reasonably priced at $0.75 / minute.

Ringr

Ringr is a paid option when you’re ready to graduate from lower-quality Skype calls. It records both ends of the conversation locally, so you don’t have to worry about losing an important interview.

Check out more remote interview recording options here.

Best Data Capture Software For Mac 2018

What do you use? Am I missing your favorite?